Turkey (Part 3 & 4) Calligraphic Heaven & Typographic Roots
August 23, 2012 § Leave a comment
On the northern hemisphere it is the unofficial last day of summer, just time for one more postcard from sunny Turkey.
Turkey Part 3: Calligraphic Heavens in Istanbul and Konya
Hagia Sophia, Exhibition: Love of the Prophet in the Language of Calligraphy
The massive Byzantine structure of the Hagia Sophia was erected in 360 as a church, converted to a mosque in 1453 and was finally transformed it into a secular space by Ataturk in 1935. Brilliant decorations delight from both faiths plus we ran across the exhibition, Love of the Prophet in the Language of Calligraphy, which was showing on the ground floor. The 99 pieces came from the collection of Mehmet Çebi. Some of the work was easily 6 feet across or 6 feet high. Hard to show scale here but it is also hard to imagine what sort of writing instrument was used to make these powerful strokes. An explanation of the art from the show brochure states the purpose, “For Muslims who avoid visual representations depicting human beings, especially that of the prophets, the millenary expression within the Islamic tradition allowing for the portrayal of the person of Prophet Muhammad has been the hilya, his pen portrait.”
Shrine of Mevlana Museum/ Mevlana Mah, Konya
It is embarrassing to admit we’d never heard of Jelaluddin Rumi, the 13th century mystic poet, before arriving in Konya. His shrine is located inside of a complete compound of buildings dedicated to Sufism, a mystical practice of Islam. We had seen the whirling dervish prayer ceremony in Istanbul but this was infinitely more moving. Combine the plaintive flute music that floated over the space with the darkened lighting, the pilgrims, palms held up, crying before the draped tomb and rich tapestries embroidered with golden calligraphy. It makes an impression.
Part 4: Exploring Lettering Roots in the Ruins
Ephesus, Aphrodisias, Hierapolis, Cappadocia
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